Chartres Cathedral is sometimes thought of as a cathedral of birth. The primary reason for this is that the main cathedral relic, the Veil of the Virgin Mary, is believed to have been worn by Mary at the Annunciation or the birth of Jesus. Images of birth, Mary as birth-giver, and the mandorla, an almond-shaped symbol of birth, are easy to find at Chartres.
Mary’s role as the birth-giver of Jesus is highlighted in many ways. In addition to the eleven depictions of the Nativity in stone and glass, there are three images of Mary nursing at Chartres, even though this was not a common medieval theme.
Jesus’ resurrection is an important manifestation of rebirth. Images of the soul of a dead person, depicted as a naked child, entering into a new spiritual life are found throughout the cathedral,
The mandorla (almond) shape represents both physical and spiritual birth. It is found both inside and outside of the cathedral, as well as in liturgical texts that were used in Chartres.
The labyrinth, which spans the nave of the cathedral has roughly the same number of stones as there are days during a woman’s pregnancy. See Roger Joly. (1999). Une Nouvelle Lecture pour Le Labyrinth de la Cathédrale de Chartres. Bulletin de la Société d’Archéologie d’Eure et Loir, 63, 202-231. Page 220 is of particular interest.
Pilgrims sometimes speak of their experience of coming to the end of a gestational period while at Chartres. “At Chartres I have come to understand that it is time to give birth to what has been growing in me.”